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歌詞 動画 アルバム曲目リスト Artist Backstreet Boys Album Unbreakable Year 2007 Title Inconsolable 歌詞 I close the door Like so many times, so many times before Felt like a scene on the cutting room floor When I let you walk away tonight Without a word I try to sleep, yeah But the clock is stuck on thoughts of you and me A thousand more regrets unraveling, ohh If you were here right now, I swear, I d tell you this CHORUS Baby I don t want to waste another day Keeping it inside it s killing me Cause all i ever want, it comes right down to you I m wishing I could find the words to say Baby I would tell you every time you leave I m inconsolable I climb the walls I can see the edge but I can t take the fall, no. I ve memorized the number So why can t I make the call? Maybe cause I know you ll always be with me In the possibility CHORUS Baby I don t want to waste another day Keeping it inside it s killing me Cause all I ever want, it comes right down to you I m wishing I could find the words to say Baby I would tell you every time you leave I m inconsolable I don t want to be like this, I just want to let you know, Everything that I m holding, Is everything I can t let go, can t let go. CHORUS Baby I don t want to waste another day Keeping it inside it s killing me Cause all I ever want, it comes right down to you I m wishing I could find the words to say Baby I would tell you every time you leave I m inconsolable Don t you know it baby I don t want to waste another day I m wishing I could find the words to say Baby I would tell you every time you leave I m inconsolable 動画 ) アルバム 曲目リスト Unbreakable (Snys) 1. Intro 2. Everything But Mine 3. Inconsolable 4. Something That I Already Know 5. Helpless When She Smiles 6. Any Other Way 7. One In A Million 8. Panic 9. You Can Let Go 10. Trouble Is 11. Treat Me Right 12. Love Will Keep You Up All Night 13. Unmistakable 14. Unsuspecting Sunday Afternoon NEVER GONE (+DVD / PAL 0) ディスク：1 1. Incomplete 2. Just Want You To Know 3. Crawling Back To You 4. Weird World 5. I Still 6. Poster Girl 7. Lose It All 8. Climbing The Walls 9. My Beautiful Woman 10. Safest Place To Hide 11. Siberia 12. Never Gone 13. Song For The Unloved (Bonus Track) 14. Rush Over Me (Bonus Track) ディスク：2 1. Incomplete Video (Available in Dolby Digital Stereo and 5.1 Digital Surround) 2. Making of Incomplete 3. Photo Gallery (14 photos set to Incomplete Instrumental) 4. Bonus Audio Track Last Night You Saved My Life (Available in Dolby Digital Stereo and 5.1 Digital Surround) Greatest Hits-Chapter One 1. I want it that way 2. Everybody (Backstreet s back) 3. As long as you love me 4. Show me the meaning of being lonely 5. Quit playing games (with my heart) 6. We ve got it going on 7. All I have to give 8. Larger than life 9. I ll never break your heart 10. The call 11. Shape of my heart 12. Get down (You re the one for me) 13. Anywhere for you 14. The one 15. More than that 16. The perfect fan Black Blue 1. The Call 2. Shape of My Heart 3. Get Another Boyfriend 4. Shining Star 5. I Promise You (With Everything I Am) 6. The Answer to Our Life 7. Everyone 8. More Than That 9. Time 10. Not For Me 11. Yes I Will 12. It s True 13. How Did I Fall in Love With You Millennium 1. Larger Than Life 2. I Want It That Way 3. Show Me the Meaning of Being Lonely 4. It s Gotta Be You 5. I Need You Tonight 6. Don t Want You Back 7. Don t Wanna Lose You Now 8. One 9. Back to Your Heart 10. Spanish Eyes 11. No One Else Comes Close 12. Perfect Fan バックストリーツ・バック - Backstreet s Back（1997年8月1日） 1. Everybody (Backstreet s Back) 2. As Long as You Love Me 3. All I Have to Give 4. That s the Way (I Like It) 5. 10,000 Promises 6. Like a Child 7. Hey, Mr. DJ (Keep Playin This Song) 8. Set Adrift on Memory Bliss 9. That s What She Said 10. If You Want It to Be Good Girl (Get Yourself a Bad Boy) 11. If I Don t Have You imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 バックストリート・ボーイズ - Backstreet Boys（1996年11月21日） 1. We ve Got It Goin On 2. Anywhere for You 3. Get Down (You re the One for Me) 4. I ll Never Break Your Heart 5. Quit Playing Games (With My Heart) 6. Boys Will Be Boys 7. Just to Be Close to You 8. I Wanna Be With You 9. Every Time I Close My Eyes 10. Darlin 11. Let s Have a Party 12. Roll with It 13. Nobody But You 14. Don t Leave Me 15. We ve Got It Goin On (Marcus Radio Mix) 16. I Wanna Be With You (Amadin s Club Mix) 上へ
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CHAPTER XXX UP CHAPTER XXXII CHAPTER XXXI Where the Brook and River Meet 「Where the Brook and River Meet」松本訳注第31章(1) p. 522参照 第31章 小川と河が出会うところ（松本訳） Anne had her "good" summer and enjoyed it wholeheartedly. She and Diana fairly lived outdoors, reveling in all the delights that Lover s Lane and the Dryad s Bubble and Willowmere and Victoria Island afforded. Marilla offered no objections to Anne s gypsyings. 「gypsyings」昨今のPCでは使えませんね、もう。PC Politically Correctness The Spencervale doctor who had come the night Minnie May had the croup met Anne at the house of a patient one afternoon early in vacation, looked her over sharply, screwed up his mouth, shook his head, and sent a message to Marilla Cuthbert by another person. It was "Keep that redheaded girl of yours in the open air all summer and don t let her read books until she gets more spring into her step." 「spring」ばね。でも、もちろん、春とも同じ単語。青春時代という意味もある。ということは、「もう少し、青春時代（というか思春期というか）に彼女の足取りを進める」というような意味あいが込められていたりするのではないか、と勘繰ってしまう。文法的には違うかもしれませんけど…… This message frightened Marilla wholesomely. She read Anne s death warrant by consumption in it unless it was scrupulously obeyed. As a result, Anne had the golden summer of her life as far as freedom and frolic went. She walked, rowed, berried, and dreamed to her heart s content; 「berried」動詞！プリンスエドワード島の夏には、どんなベリーの類が採れるんでしょう？松本訳では「スグリや木苺（ラズベリー）」となっています（p. 361） and when September came she was bright-eyed and alert, with a step that would have satisfied the Spencervale doctor and a heart full of ambition and zest once more. "I feel just like studying with might and main," 「with might and main」成句：全力を尽して。mightもmainも力。ニュアンスがちょっとわかりません…… Merrian-Webster On Lineによると、might = power (the power, energy, or intensity of which one is capable)、main = force (physical strength)ということなので、mightが湧きでる力で、mainは体力に近いのでしょうか she declared as she brought her books down from the attic. 「attic」はアンの部屋じゃなくて、別にある屋根裏部屋かもしれない、とここを読んで思いました "Oh, you good old friends, I m glad to see your honest faces once more--yes, even you, geometry. I ve had a perfectly beautiful summer, Marilla, and now I m rejoicing as a strong man to run a race, 「now I m rejoicing as a strong man to run a race」松本訳注第31章(2) p. 523参照 as Mr. Allan said last Sunday. Doesn t Mr. Allan preach magnificent sermons? Mrs. Lynde says he is improving every day and the first thing we know some city church will gobble him up 「gobble」がつがつ食う。なので、upが付くのね…… and then we ll be left and have to turn to and break in another green preacher. 「green」青二才、うぶな But I don t see the use of meeting trouble halfway, do you, Marilla? I think it would be better just to enjoy Mr. Allan while we have him. If I were a man I think I d be a minister. They can have such an influence for good, if their theology is sound; and it must be thrilling to preach splendid sermons and stir your hearers hearts. Why can t women be ministers, Marilla? 「Why can t women be ministers, Marilla?」松本訳注第31章(3) p. 523参照 I asked Mrs. Lynde that and she was shocked and said it would be a scandalous thing. She said there might be female ministers in the States and she believed there was, but thank goodness we hadn t got to that stage in Canada yet and she hoped we never would. But I don t see why. I think women would make splendid ministers. When there is a social to be got up or a church tea or anything else to raise money the women have to turn to and do the work. I m sure Mrs. Lynde can pray every bit as well as Superintendent Bell and I ve no doubt she could preach too with a little practice." "Yes, I believe she could," said Marilla dryly. "She does plenty of unofficial preaching as it is. Nobody has much of a chance to go wrong in Avonlea with Rachel to oversee them." 小川でさえも for not even a brook could run past Mrs. Rachel Lynde s door without due regard for decency and decorum という第1章のはじめのパラグラフを思い出すCHAPTER I with impression Mrs. Rachel Lynde is Surprised "Marilla," said Anne in a burst of confidence, "I want to tell you something and ask you what you think about it. It has worried me terribly--on Sunday afternoons, that is, when I think specially about such matters. I do really want to be good; and when I m with you or Mrs. Allan or Miss Stacy 「you」はっきり言いますねえ、アン I want it more than ever and I want to do just what would please you and what you would approve of. But mostly when I m with Mrs. Lynde I feel desperately wicked and as if I wanted to go and do the very thing she tells me I oughtn t to do. I feel irresistibly tempted to do it. Now, what do you think is the reason I feel like that? Do you think it s because I m really bad and unregenerate?" 「unregenerate」更生（改宗）しない；罪深い；強情な。これはbig wordではない？ Marilla looked dubious for a moment. Then she laughed. "If you are I guess I am too, Anne, for Rachel often has that very effect on me. I sometimes think she d have more of an influence for good, as you say yourself, if she didn t keep nagging people to do right. There should have been a special commandment against nagging. 「commandment」戒律 But there, I shouldn t talk so. Rachel is a good Christian woman and she means well. 「mean」重要である。こんな意味もあっただなんて…… There isn t a kinder soul in Avonlea 「kinder」= kind of やや、ちょっと、どちらかというと and she never shirks her share of work." "I m very glad you feel the same," said Anne decidedly. "It s so encouraging. I shan t worry so much over that after this. But I dare say there ll be other things to worry me. They keep coming up new all the time--things to perplex you, you know. 「perplex you, you know」はじめのyouは一般の人を指すyouで、後のyouは、そういうふうに解釈もできるでしょうけど、you knowで相槌の「ね」（関西なら「やんか」かしら？） You settle one question and there s another right after. There are so many things to be thought over and decided when you re beginning to grow up. It keeps me busy all the time thinking them over and deciding what is right. It s a serious thing to grow up, isn t it, Marilla? But when I have such good friends as you and Matthew and Mrs. Allan and Miss Stacy I ought to grow up successfully, and I m sure it will be my own fault if I don t. I feel it s a great responsibility because I have only the one chance. If I don t grow up right I can t go back and begin over again. I ve grown two inches this summer, Marilla. いつと比べて2インチ伸びたんでしょう？夏休みが終わったあとのこのおしゃべりの文脈では、夏の2ヶ月で2インチ伸びたという意味かと思っていたのですが、よく考えると、ルビーの誕生会は夏休みに入ってすぐにあったので（「Ruby Gillis is going to have a birthday party soon」と先学期の終了日にマリラに話しているCHAPTER XXX with impression The Queens Class Is Organized）、これは、この夏に測ってもらったら、去年に比べて2インチも伸びたと言っている、と解釈するほうがいいのかもしれません。でも、それなら2インチ（約5センチ）伸びでもあまり自慢にならないような気もしますが Mr. Gillis measured me at Ruby s party. I m so glad you made my new dresses longer. That dark-green one is so pretty and it was sweet of you to put on the flounce. 「flounce」松本訳注第31章(4) p. 523参照 Of course I know it wasn t really necessary, but flounces are so stylish this fall and Josie Pye has flounces on all her dresses. I know I ll be able to study better because of mine. I shall have such a comfortable feeling deep down in my mind about that flounce." "It s worth something to have that," admitted Marilla. ここまでが、かばんを開けて教科書を出してきた日の会話（8月の終わりか9月のはじめ） Miss Stacy came back to Avonlea school and found all her pupils eager for work once more. Especially did the Queen s class gird up their loins for the fray, 「gird up one s loins」しっかり帯を締める → 準備する 「gird up their loins」松本訳注第31章(5) p. 523参照 for at the end of the coming year, dimly shadowing their pathway already, loomed up that fateful thing known as "the Entrance," at the thought of which one and all felt their hearts sink into their very shoes. 英語では、心臓が靴の中に沈み込むほど、と感じるようですね。日本語ではどうなるんでしょう……。考えると、心臓が締めつけられる、とか、どきどきする、とか、かしら Suppose they did not pass! That thought was doomed to haunt Anne through the waking hours of that winter, Sunday afternoons inclusive, to the almost entire exclusion of moral and theological problems. 「... inclusive, to ... exclusion of」意味が逆のコトバをすぐ近くに置いてめりはりをつけている。意味が逆でも発音に似ているところがあるから、たぶん耳で聞いても心地よいに違いありません 「to the exclusion of」～を除外してしまうほど。アンにとって、日曜学校での道徳や教義の問題はかなり重要であったことが逆にわかる When Anne had bad dreams she found herself staring miserably at pass lists of the Entrance exams, where Gilbert Blythe s name was blazoned at the top and in which hers did not appear at all. But it was a jolly, busy, happy swift-flying winter. Schoolwork was as interesting, class rivalry as absorbing, as of yore. New worlds of thought, feeling, and ambition, fresh, fascinating fields of unexplored knowledge seemed to be opening out before Anne s eager eyes. "Hills peeped o er hill and Alps on Alps arose." 「Hills peeped o er hill and Alps on Alps arose.」松本訳注第31章(6) p. 523参照 Much of all this was due to Miss Stacy s tactful, careful, broadminded guidance. She led her class to think and explore and discover for themselves and encouraged straying from the old beaten paths to a degree that quite shocked Mrs. Lynde and the school trustees, who viewed all innovations on established methods rather dubiously. このあたりのMiss Stacyの教育方法には、モードの教育観が出ているように思える Apart from her studies Anne expanded socially, for Marilla, mindful of the Spencervale doctor s dictum, no longer vetoed occasional outings. ここで、マリラがアンに許している行動は「a little girl」に対するものではなくなっている The Debating Club flourished and gave several concerts; there were one or two parties almost verging on grown-up affairs; there were sleigh drives and skating frolics galore. ここまでが、9月の新学期から真冬までのアンの学校と放課後 Betweentimes Anne grew, shooting up so rapidly that Marilla was astonished one day, when they were standing side by side, to find the girl was taller than herself. "Why, Anne, how you ve grown!" she said, almost unbelievingly. A sigh followed on the words. Marilla felt a queer regret over Anne s inches. The child she had learned to love had vanished somehow and here was this tall, serious-eyed girl of fifteen, 15歳。ということは、3月の誕生日を過ぎた後。しかし、［つづきは下へ］ with the thoughtful brows and the proudly poised little head, in her place. Marilla loved the girl as much as she had loved the child, but she was conscious of a queer sorrowful sense of loss. And that night, when Anne had gone to prayer meeting with Diana, Marilla sat alone in the wintry twilight and indulged in the weakness of a cry. ［上からのつづき］「wintry」= wintery。なので、まだ寒い日のできごと。アンの3月の誕生日は、まだ、冬といっていいときなので（13歳の誕生日は雪がある CHAPTER XXVI with impression The Story Club Is Formed ）、矛盾はしない。3月の下旬か4月上旬と考えるのが自然かしら Matthew, coming in with a lantern, caught her at it and gazed at her in such consternation that Marilla had to laugh through her tears. "I was thinking about Anne," she explained. "She s got to be such a big girl-- 「such a big girl」little girlではなくなった and she ll probably be away from us next winter. I ll miss her terrible." "She ll be able to come home often," comforted Matthew, to whom Anne was as yet and always would be the little, eager girl he had brought home from Bright River on that June evening four years before. "The branch railroad will be built to Carmody by that time." 「The branch railroad will be built to Carmody by that time.」松本訳注第31章(7) p. 524参照 "It won t be the same thing as having her here all the time," sighed Marilla gloomily, determined to enjoy her luxury of grief uncomforted. "But there--men can t understand these things!" モードは、まだ独身 ここまでが、アンの誕生日が過ぎた晩冬。日本の季節なら春 There were other changes in Anne no less real than the physical change. 「There were other changes in Anne no less real than the physical change.」松本訳注第31章(8) p. 524参照 For one thing, she became much quieter. Perhaps she thought all the more and dreamed as much as ever, but she certainly talked less. Marilla noticed and commented on this also. "You don t chatter half as much as you used to, Anne, nor use half as many big words. What has come over you?" 以下の会話でもアンはpage-longというほど話さない。この章のはじめは長く話しているのと対照的（「I feel just like studying with might and main」からはじまるおしゃべりは、まだ、長いし、コトバがコトバを生むおしゃべりになっている） Anne colored and laughed a little, 「colored and laughed a little」こういう細かな描写がアンの成長を表わしてもいる as she dropped her book and looked dreamily out of the window, where big fat red buds were bursting out on the creeper in response to the lure of the spring sunshine. "I don t know--I don t want to talk as much," she said, denting her chin thoughtfully with her forefinger. "It s nicer to think dear, pretty thoughts and keep them in one s heart, like treasures. I don t like to have them laughed at or wondered over. And somehow I don t want to use big words any more. It s almost a pity, isn t it, now that I m really growing big enough to say them if I did want to. It s fun to be almost grown up in some ways, but it s not the kind of fun I expected, Marilla. 「I m always going to talk to little girls as if they were too, and I ll never laugh when they use big words.」とCHAPTER XVIII with impression? Anne to the Rescue でアンが言っているように、big wordsを使う子供はいるかもしれないけれども、やっぱり大人も使わない There s so much to learn and do and think that there isn t time for big words. Besides, Miss Stacy says the short ones are much stronger and better. She makes us write all our essays as simply as possible. ステイシー先生の言葉を借りて、モードの言語観（というか常識）が述べられている。しかし、この Anne of Green Gables を書き、アンに big words をいっぱいしゃべらせて、モードの抑えている非常識的な部分を、自由に表現したに違いない It was hard at first. I was so used to crowding in all the fine big words I could think of--and I thought of any number of them. But I ve got used to it now and I see it s so much better." "What has become of your story club? I haven t heard you speak of it for a long time." 事件だったり出来事だったりを思い出させ、また、きちんと回答を用意するところ、モードの性格が出ているのかもしれません。だからこそ、アンのやらかした（ちょっとはちゃめちゃな）ことが、より面白いエピソードとなるのかもしれません "The story club isn t in existence any longer. We hadn t time for it--and anyhow I think we had got tired of it. It was silly to be writing about love and murder and elopements and mysteries. Miss Stacy sometimes has us write a story for training in composition, but she won t let us write anything but what might happen in Avonlea in our own lives, and she criticizes it very sharply and makes us criticize our own too. I never thought my compositions had so many faults until I began to look for them myself. I felt so ashamed I wanted to give up altogether, but Miss Stacy said I could learn to write well if I only trained myself to be my own severest critic. And so I am trying to." アヴォンリーでありそうなことを物語にする。まさに、これがこの「赤毛のアン」。恋愛や殺人、駆け落ち、秘密といったことは大っぴらにはない。しかし、アンには big words をたくさん話させ、アヴォンリーではありえそうもないお話を劇中劇のように作らせ、単純明快ではない恋愛の微妙な気持ちや、小さな秘密をたくさん書き込んでいる。 2007年7月29日追記 "You ve only two more months before the Entrance," said Marilla. 試験は7月のはじめなので、この会話は5月とわかる。moreは、あと、とか、さらに、とか、そんな追加があるよと強める意味でしかないので、だいたい2ヶ月ということでしょう "Do you think you ll be able to get through?" Anne shivered. "I don t know. Sometimes I think I ll be all right--and then I get horribly afraid. We ve studied hard and Miss Stacy has drilled us thoroughly, but we mayn t get through for all that. We ve each got a stumbling block. Mine is geometry of course, and Jane s is Latin, and Ruby and Charlie s is algebra, and Josie s is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. 英国史！ もちろんカナダにとって重要なのはわかります Miss Stacy is going to give us examinations in June just as hard as we ll have at the Entrance and mark us just as strictly, so we ll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I ll do if I don t pass." "Why, go to school next year and try again," said Marilla unconcernedly. 「unconcernedly」おとなはちょっと冷たい反応をしがち。それが逆に心配させない方向に働くこともあるのですが "Oh, I don t believe I d have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I m likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, 「witcheries」（女性の）魅力。春は英語では女性とみなされる？ the beckoning day of breeze and blue, 「blue」青空 and the green things upspringing in the garden, 「upspring」わきあがる。なんだかんだとこの章では、springの単語をモチーフにして話がすすんでいるようです buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them. ここまでが、5月の会話 ということで、ほぼ1年があっという間に過ぎた1章 CHAPTER XXX UP CHAPTER XXXII 21 22 July 2007 29 July 2007 追記 今日 - | 昨日 - | Total - since 21 July 2007 last update 2007-07-29 22 42 48 (Sun)
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Grif and Simmons run up in front of Sarge, and stand there Sarge Hurry up ladies, this ain t no ice cream social! Simmons Ice cream social? Sarge Stop the pillow-talk you two. Anyone want to guess, why I gathered you here, today? Grif Um, is it because the war s over and you re sending us home? Sarge That s exactly it, private. War s over. We won. Turns out you re the big hero, and we re gonna hold a parade in your honor. I get to drive the float, and Simmons here, is in charge of confetti! Grif I m no stranger to sarcasm, sir. Sarge God dammit private, shut your mouth or else I ll have Simmons slit your throat while you re asleep! Simmons Oh, I d do it too. Sarge I know you would Simmons... good man. Couple of things today, ladies Command has seen fit to increase our ranks here at Blood Gulch Outpost Number 1. Grif Crap, we re getting a rookie. Sarge That s right dead man. Our new recruit will be here within the week. But today, we received the first part of our shipment from Command. Lopez... bring up the vehicle. A jeep emerges from the hill behind Sarge Simmons Shotgun! Grif Shotgun! Fuck! Sarge May I introduce, our new light reconnaissance vehicle. It has four inch armor plating, maaag buffer suspension, a mounted machine gunner position, and total seating for three. Gentlemen, this is the M12-LRV! I like to call it the Warthog. Simmons Why Warthog sir? Sarge Because M12-LRV is too hard to say in conversation, son. Grif No, but... why Warthog ? I mean, it doesn t really look like a pig... Sarge Say that again? Grif I think it looks more like a puma. Sarge What in sam hell is a puma? Simmons Uh... you mean like the shoe company? Grif No, like a puma. It s a big cat. Like a lion. Sarge You re making that up. Grif I m telling you, it s a real animal! Sarge Simmons, I want you to poison Grif s next meal. Simmons Yes sir! Sarge Look, see these two tow hooks? They look like tusks. And what kind of animal has tusks? Grif A walrus. Sarge Didn t I just tell you to stop making up animals? Church is looking at the red team through the sniper rifle, and Tucker is with him Tucker What is that thing? Church I don t know, but it looks like uh... looks like they got some kinda car down there. We d better get back to base and report it. Tucker A car? How come they get a car? Church What are you complaining about man? We re about to get a tank in the very next drop. Tucker You can t pick up chicks in a tank. Church Oh, you know what, you could bitch about anything, couldn t you. We re gonna get a tank, and you re worried about chicks. What chicks are we gonna pick up man!? Firay, and secondly, how are we gonna pick up chicks in a car that looks like that? Tucker Well what kind of car is it? Church I don t know, I ve never seen a car that looks like that before, it looks like a uh... like a big cat of some kind. Tucker ... ... what, like a puma? Church Yeah man, there ya go. Back to the reds Sarge So unless anybody else has any more mythical creatures to suggest as a name for the new vehicle, we re gonna stick with the Warthog . How about it Grif? Grif No sir, no more suggestions. Sarge Are you sure? How bout Bigfoot? Grif That s okay. Sarge Unicorn? Grif No really, I m... I m cool. Sarge Sasquatch? Simmons Leprechaun? Grif Hey, he doesn t need any help man... Sarge Phoenix! Grif Huh... Christ. Sarge Hey Simmons, what s the name of that Mexican lizard, eats all the goats? Simmons Uh, that would be the Chupacabra, sir! Sarge Hey Grif! Chupathingie, how bout that? I like it! Got a ring to it...
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詠唱Unlimited Blade Works(アーチャー) Unlimited Blade Works(衛宮 士郎） 各エンディング時に表示される言葉セイバートゥルー 凛トゥルー 桜トゥルー(イリヤが大聖杯を閉じた場合) 桜トゥルー 詠唱 Unlimited Blade Works(アーチャー) I am the bone of my sword. (体は剣で出来ている) Steel is my body,and fire is my blood. (血潮は鉄で 心は硝子） I have created over a thousand blades. (幾たびの戦場を越えて不敗) Unknown to Death. (ただの一度も敗走はなく） Nor known to Life. (ただの一度も理解されない) Have withstood pain to create many weapons. (彼の者は常に独り 剣の丘で勝利に酔う) Yet,those hands will never hold anything. (故に、生涯に意味はなく｡) So as I pray,unlimited blade works. （その体はきっと剣で出来ていた。) Unlimited Blade Works(衛宮 士郎） I am the bone of my sword. (体は剣で出来ている) Steel is my body,and fire is my blood. (血潮は鉄で 心は硝子） I have created over a thousand blades. (幾たびの戦場を越えて不敗) Unaware of loss. (ただ一度の敗走はなく） Nor aware of gain.. (ただ一度の勝利もなし) Withstood pain to create many weapons. (担い手はここに孤り） waiting for one s arrival (剣の丘で鉄を鍛つ） I have no regrets.This is the only path. (ならば我が生涯に意味は不要ず） My whole life was "unlimited blade works" (この体は無限の剣で出来ていた） 各エンディング時に表示される言葉 セイバートゥルー A battle has been fought, and is now over. Please your sword upon the ground, and rest in the temporal peace. After dozing in the warmth of a dream, a new day will begin. The days keep passing by... And we still chase the same star we once saw. 続いてきた戦いは、今終わった。 剣を地に伏せそう、つかの間の安らぎに身をゆだねよう。 夢の暖かさにまどろんだあと、きっと新しい日が始まる。 日々が過ぎていく…… そして僕たちはいつか見たあの星を追いかけている。 凛トゥルー Walking with the wind blowing on your face. Walking towards the future. Busy days with no compass to guide you. After traveling to distant exotie countries... You will return to where you belong, one sunny day. 風が顔に吹きつけるなかを歩く。 未来に向かい歩く。 前途多難な忙しい日々。 遠く離れた異国の地を旅して…… 君は君のいた場所に帰ってくるだろう、ある晴れた暖かい日に。 桜トゥルー(イリヤが大聖杯を閉じた場合) The sage cries out. Open, Gates of Heaven. Bless us and bestow miracles upon us! The sage cries out in regret. Close, Gates of Heaven. Save us from all our sins and evil! The curtain closes. The millennium comes to a standstill. Our dreams, our hopes... was an forbidden failure from the start. The stars fall out of the sky. Space closes up into nothingness. The pathway to the center is shrouded along with our sins. ...I am, at last, filled with joy. All has been engulfed by darkness. Nothing can hurt you now. At last, you have been set free from the pain that you carried for so long. You may now rest, without a worry on mind. 賢人が叫んだ。 「開け、天の門よ。我々を祝福し、奇跡を我々に授けよ！」 賢人が後悔に叫んだ。 「閉じろ、天の門よ。我々を罪と悪から救ってくれ！」 閉幕である。 1000年は行き詰ってしまった。 我々の夢、我々の望み……それは初めから禁じられた「失敗」だったのだ。 星々が天から堕ちる。 宇宙（そら）は無へと帰する。 根源に至る道は我々の罪に覆い隠される。 ……私はついに喜びに満たされた。 全てが闇に飲み込まれた。 君を傷つけられる者はもはやいない。 君はついに、あんなに長く抱えていた痛みから解放されたのだ。 君はもう休んでいい、心の悩みはもうない。 桜トゥルー So the winter went by, and spring came along. Nature is in its full bloom, and there is nothing left that reminds you of the hard cold days. Stash away both what you lost and gained, for life continues on. Now then... The story that unraveled in this town has reached its conclusion. New stages and people are waiting for us... 冬が過ぎ、春がやってきた。 自然は活力に溢れ、そこには、辛く冷たかった日々を想起させるものは何もない。 そして、得たものは、共にしまっておけ、生ある限り。 今、そのとき... この町で解かれた物語は、結論に達した。 新しい舞台と人々が私たちを待っている...
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CHAPTER XV UP CHAPTER XVII CHAPTER XVI Diana Is Invited to Tea with Tragic Results OCTOBER was a beautiful month at Green Gables, when the birches in the hollow turned as golden as sunshine and the maples behind the orchard were royal crimson and the wild cherry trees along the lane put on the loveliest shades of dark red and bronzy green, while the fields sunned themselves in aftermaths. Anne reveled in the world of color about her. "Oh, Marilla," she exclaimed one Saturday morning, coming dancing in with her arms full of gorgeous boughs, "I m so glad I live in a world where there are Octobers. It would be terrible if we just skipped from September to November, wouldn t it? Look at these maple branches. Don t they give you a thrill--several thrills? I m going to decorate my room with them." "Messy things," said Marilla, whose aesthetic sense was not noticeably developed. "You clutter up your room entirely too much with out-of-doors stuff, Anne. Bedrooms were made to sleep in." "Oh, and dream in too, Marilla. And you know one can dream so much better in a room where there are pretty things. I m going to put these boughs in the old blue jug and set them on my table." "Mind you don t drop leaves all over the stairs then. I m going on a meeting of the Aid Society at Carmody this afternoon, Anne, and I won t likely be home before dark. You ll have to get Matthew and Jerry their supper, so mind you don t forget to put the tea to draw until you sit down at the table as you did last time." "It was dreadful of me to forget," said Anne apologetically, "but that was the afternoon I was trying to think of a name for Violet Vale and it crowded other things out. Matthew was so good. He never scolded a bit. He put the tea down himself and said we could wait awhile as well as not. And I told him a lovely fairy story while we were waiting, so he didn t find the time long at all. It was a beautiful fairy story, Marilla. I forgot the end of it, so I made up an end for it myself and Matthew said he couldn t tell where the join came in." "Matthew would think it all right, Anne, if you took a notion to get up and have dinner in the middle of the night. But you keep your wits about you this time. And--I don t really know if I m doing right--it may make you more addlepated than ever--but you can ask Diana to come over and spend the afternoon with you and have tea here." "Oh, Marilla!" Anne clasped her hands. "How perfectly lovely! You ARE able to imagine things after all or else you d never have understood how I ve longed for that very thing. It will seem so nice and grown-uppish. No fear of my forgetting to put the tea to draw when I have company. Oh, Marilla, can I use the rosebud spray tea set?" "No, indeed! The rosebud tea set! Well, what next? You know I never use that except for the minister or the Aids. You ll put down the old brown tea set. But you can open the little yellow crock of cherry preserves. It s time it was being used anyhow--I believe it s beginning to work. And you can cut some fruit cake and have some of the cookies and snaps." "I can just imagine myself sitting down at the head of the table and pouring out the tea," said Anne, shutting her eyes ecstatically. "And asking Diana if she takes sugar! I know she doesn t but of course I ll ask her just as if I didn t know. And then pressing her to take another piece of fruit cake and another helping of preserves. Oh, Marilla, it s a wonderful sensation just to think of it. Can I take her into the spare room to lay off her hat when she comes? And then into the parlor to sit?" "No. The sitting room will do for you and your company. But there s a bottle half full of raspberry cordial that was left over from the church social the other night. It s on the second shelf of the sitting-room closet and you and Diana can have it if you like, and a cooky to eat with it along in the afternoon, for I daresay Matthew ll be late coming in to tea since he s hauling potatoes to the vessel." Anne flew down to the hollow, past the Dryad s Bubble and up the spruce path to Orchard Slope, to ask Diana to tea. As a result just after Marilla had driven off to Carmody, Diana came over, dressed in HER second-best dress and looking exactly as it is proper to look when asked out to tea. At other times she was wont to run into the kitchen without knocking; but now she knocked primly at the front door. And when Anne, dressed in her second best, as primly opened it, both little girls shook hands as gravely as if they had never met before. This unnatural solemnity lasted until after Diana had been taken to the east gable to lay off her hat and then had sat for ten minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the LILY SANDS this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews s that morning in Matthew s cart. "Yes. Our potato crop is very good this year. I hope your father s crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?" "Oh, ever so many," said Anne forgetting to be dignified and jumping up quickly. "Let s go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn t good manners to tell your company what you are going to give them to eat, so I won t tell you what she said we could have to drink. Only it begins with an R and a C and it s bright red color. I love bright red drinks, don t you? They taste twice as good as any other color." The orchard, with its great sweeping boughs that bent to the ground with fruit, proved so delightful that the little girls spent most of the afternoon in it, sitting in a grassy corner where the frost had spared the green and the mellow autumn sunshine lingered warmly, eating apples and talking as hard as they could. Diana had much to tell Anne of what went on in school. She had to sit with Gertie Pye and she hated it; Gertie squeaked her pencil all the time and it just made her--Diana s--blood run cold; Ruby Gillis had charmed all her warts away, true s you live, with a magic pebble that old Mary Joe from the Creek gave her. You had to rub the warts with the pebble and then throw it away over your left shoulder at the time of the new moon and the warts would all go. Charlie Sloane s name was written up with Em White s on the porch wall and Em White was AWFUL MAD about it; Sam Boulter had "sassed" Mr. Phillips in class and Mr. Phillips whipped him and Sam s father came down to the school and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had a new red hood and a blue crossover with tassels on it and the airs she put on about it were perfectly sickening; and Lizzie Wright didn t speak to Mamie Wilson because Mamie Wilson s grown-up sister had cut out Lizzie Wright s grown-up sister with her beau; and everybody missed Anne so and wished she s come to school again; and Gilbert Blythe-- But Anne didn t want to hear about Gilbert Blythe. She jumped up hurriedly and said suppose they go in and have some raspberry cordial. Anne looked on the second shelf of the room pantry but there was no bottle of raspberry cordial there. Search revealed it away back on the top shelf. Anne put it on a tray and set it on the table with a tumbler. "Now, please help yourself, Diana," she said politely. "I don t believe I ll have any just now. I don t feel as if I wanted any after all those apples." Diana poured herself out a tumblerful, looked at its bright-red hue admiringly, and then sipped it daintily. "That s awfully nice raspberry cordial, Anne," she said. "I didn t know raspberry cordial was so nice." "I m real glad you like it. Take as much as you want. I m going to run out and stir the fire up. There are so many responsibilities on a person s mind when they re keeping house, isn t there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It s ever so much nicer than Mrs. Lynde s, although she brags of hers so much. It doesn t taste a bit like hers." "I should think Marilla s raspberry cordial would prob ly be much nicer than Mrs. Lynde s," said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There s so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I was buried under those poplar trees in the graveyard and you planted a rosebush by my grave and watered it with your tears; and you never, never forgot the friend of your youth who sacrificed her life for you. Oh, it was such a pathetic tale, Diana. The tears just rained down over my cheeks while I mixed the cake. But I forgot the flour and the cake was a dismal failure. Flour is so essential to cakes, you know. Marilla was very cross and I don t wonder. I m a great trial to her. She was terribly mortified about the pudding sauce last week. We had a plum pudding for dinner on Tuesday and there was half the pudding and a pitcherful of sauce left over. Marilla said there was enough for another dinner and told me to set it on the pantry shelf and cover it. I meant to cover it just as much as could be, Diana, but when I carried it in I was imagining I was a nun--of course I m a Protestant but I imagined I was a Catholic--taking the veil to bury a broken heart in cloistered seclusion; and I forgot all about covering the pudding sauce. I thought of it next morning and ran to the pantry. Diana, fancy if you can my extreme horror at finding a mouse drowned in that pudding sauce! I lifted the mouse out with a spoon and threw it out in the yard and then I washed the spoon in three waters. Marilla was out milking and I fully intended to ask her when she came in if I d give the sauce to the pigs; but when she did come in I was imagining that I was a frost fairy going through the woods turning the trees red and yellow, whichever they wanted to be, so I never thought about the pudding sauce again and Marilla sent me out to pick apples. Well, Mr. and Mrs. Chester Ross from Spencervale came here that morning. You know they are very stylish people, especially Mrs. Chester Ross. When Marilla called me in dinner was all ready and everybody was at the table. I tried to be as polite and dignified as I could be, for I wanted Mrs. Chester Ross to think I was a ladylike little girl even if I wasn t pretty. Everything went right until I saw Marilla coming with the plum pudding in one hand and the pitcher of pudding sauce WARMED UP, in the other. Diana, that was a terrible moment. I remembered everything and I just stood up in my place and shrieked out `Marilla, you mustn t use that pudding sauce. There was a mouse drowned in it. I forgot to tell you before. Oh, Diana, I shall never forget that awful moment if I live to be a hundred. Mrs. Chester Ross just LOOKED at me and I thought I would sink through the floor with mortification. She is such a perfect housekeeper and fancy what she must have thought of us. Marilla turned red as fire but she never said a word--then. She just carried that sauce and pudding out and brought in some strawberry preserves. She even offered me some, but I couldn t swallow a mouthful. It was like heaping coals of fire on my head. After Mrs. Chester Ross went away, Marilla gave me a dreadful scolding. Why, Diana, what is the matter?" Diana had stood up very unsteadily; then she sat down again, putting her hands to her head. "I m--I m awful sick," she said, a little thickly. "I--I--must go right home." "Oh, you mustn t dream of going home without your tea," cried Anne in distress. "I ll get it right off--I ll go and put the tea down this very minute." "I must go home," repeated Diana, stupidly but determinedly. "Let me get you a lunch anyhow," implored Anne. "Let me give you a bit of fruit cake and some of the cherry preserves. Lie down on the sofa for a little while and you ll be better. Where do you feel bad?" "I must go home," said Diana, and that was all she would say. In vain Anne pleaded. "I never heard of company going home without tea," she mourned. "Oh, Diana, do you suppose that it s possible you re really taking the smallpox? If you are I ll go and nurse you, you can depend on that. I ll never forsake you. But I do wish you d stay till after tea. Where do you feel bad?" "I m awful dizzy," said Diana. And indeed, she walked very dizzily. Anne, with tears of disappointment in her eyes, got Diana s hat and went with her as far as the Barry yard fence. Then she wept all the way back to Green Gables, where she sorrowfully put the remainder of the raspberry cordial back into the pantry and got tea ready for Matthew and Jerry, with all the zest gone out of the performance. The next day was Sunday and as the rain poured down in torrents from dawn till dusk Anne did not stir abroad from Green Gables. Monday afternoon Marilla sent her down to Mrs. Lynde s on an errand. In a very short space of time Anne came flying back up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven t gone and been saucy to Mrs. Lynde again." No answer from Anne save more tears and stormier sobs! "Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she wailed. "She says that I set Diana DRUNK Saturday and sent her home in a disgraceful condition. And she says I must be a thoroughly bad, wicked little girl and she s never, never going to let Diana play with me again. Oh, Marilla, I m just overcome with woe." Marilla stared in blank amazement. "Set Diana drunk!" she said when she found her voice. "Anne are you or Mrs. Barry crazy? What on earth did you give her?" "Not a thing but raspberry cordial," sobbed Anne. "I never thought raspberry cordial would set people drunk, Marilla--not even if they drank three big tumblerfuls as Diana did. Oh, it sounds so--so--like Mrs. Thomas s husband! But I didn t mean to set her drunk." "Drunk fiddlesticks!" said Marilla, marching to the sitting room pantry. There on the shelf was a bottle which she at once recognized as one containing some of her three-year-old homemade currant wine for which she was celebrated in Avonlea, although certain of the stricter sort, Mrs. Barry among them, disapproved strongly of it. And at the same time Marilla recollected that she had put the bottle of raspberry cordial down in the cellar instead of in the pantry as she had told Anne. She went back to the kitchen with the wine bottle in her hand. Her face was twitching in spite of herself. "Anne, you certainly have a genius for getting into trouble. You went and gave Diana currant wine instead of raspberry cordial. Didn t you know the difference yourself?" "I never tasted it," said Anne. "I thought it was the cordial. I meant to be so--so--hospitable. Diana got awfully sick and had to go home. Mrs. Barry told Mrs. Lynde she was simply dead drunk. She just laughed silly-like when her mother asked her what was the matter and went to sleep and slept for hours. Her mother smelled her breath and knew she was drunk. She had a fearful headache all day yesterday. Mrs. Barry is so indignant. She will never believe but what I did it on purpose." "I should think she would better punish Diana for being so greedy as to drink three glassfuls of anything," said Marilla shortly. "Why, three of those big glasses would have made her sick even if it had only been cordial. Well, this story will be a nice handle for those folks who are so down on me for making currant wine, although I haven t made any for three years ever since I found out that the minister didn t approve. I just kept that bottle for sickness. There, there, child, don t cry. I can t see as you were to blame although I m sorry it happened so." "I must cry," said Anne. "My heart is broken. The stars in their courses fight against me, Marilla. Diana and I are parted forever. Oh, Marilla, I little dreamed of this when first we swore our vows of friendship." "Don t be foolish, Anne. Mrs. Barry will think better of it when she finds you re not to blame. I suppose she thinks you ve done it for a silly joke or something of that sort. You d best go up this evening and tell her how it was." "My courage fails me at the thought of facing Diana s injured mother," sighed Anne. "I wish you d go, Marilla. You re so much more dignified than I am. Likely she d listen to you quicker than to me." "Well, I will," said Marilla, reflecting that it would probably be the wiser course. "Don t cry any more, Anne. It will be all right." Marilla had changed her mind about it being all right by the time she got back from Orchard Slope. Anne was watching for her coming and flew to the porch door to meet her. "Oh, Marilla, I know by your face that it s been no use," she said sorrowfully. "Mrs. Barry won t forgive me?" "Mrs. Barry indeed!" snapped Marilla. "Of all the unreasonable women I ever saw she s the worst. I told her it was all a mistake and you weren t to blame, but she just simply didn t believe me. And she rubbed it well in about my currant wine and how I d always said it couldn t have the least effect on anybody. I just told her plainly that currant wine wasn t meant to be drunk three tumblerfuls at a time and that if a child I had to do with was so greedy I d sober her up with a right good spanking." Marilla whisked into the kitchen, grievously disturbed, leaving a very much distracted little soul in the porch behind her. Presently Anne stepped out bareheaded into the chill autumn dusk; very determinedly and steadily she took her way down through the sere clover field over the log bridge and up through the spruce grove, lighted by a pale little moon hanging low over the western woods. Mrs. Barry, coming to the door in answer to a timid knock, found a white-lipped eager-eyed suppliant on the doorstep. Her face hardened. Mrs. Barry was a woman of strong prejudices and dislikes, and her anger was of the cold, sullen sort which is always hardest to overcome. To do her justice, she really believed Anne had made Diana drunk out of sheer malice prepense, and she was honestly anxious to preserve her little daughter from the contamination of further intimacy with such a child. "What do you want?" she said stiffly. Anne clasped her hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don t say that you won t let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde s heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne s big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly "I don t think you are a fit little girl for Diana to associate with. You d better go home and behave yourself." Anne s lips quivered. "Won t you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do NOT think she is a well-bred woman. There is nothing more to do except to pray and I haven t much hope that that ll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn t say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne s tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child s tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XV UP CHAPTER XVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 24 29 (Tue)
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facebook https //www.facebook.com/treatofficial Fan site https //treatjp.com/ member Anders Gary Wikstrom guitar Robert Ernlund vocal Jamie Borger drums Patrick Appelgren keyboard Nalle Pahlsson bass MusicGhost of Grraceland Scratch And Bite + Live @ Firefest Ⅲ Weapons of Choice 1984-2006 LiveLive @ Club Citta' Kawasaki January 10th 2015 sat Music Ghost of Grraceland 2016 【C】 1. Ghost Of Graceland / 2. I Don t Miss The Misery / 3. Better The Devil You Know / 4. Do Your Own Stunts / 5. Endangered / 6. Inferno / 7. Alien Earthlings / 8. Nonstop Madness / 9. Too Late To Die Young / 10. House On Fire / 11. Together Alone / 12. Everything To Everyone / 13. Together Alone Scratch And Bite + Live @ Firefest Ⅲ April 11st 2008 Disc 1 CD Scratch And Bite 1. Changes 2. Scratch And Bite 3. Get You On The Run 4. Hidin 5. Too Wild 6. We Are One 7. No Room For Strangers 8. You Got Me 9. Run With The Fire 10. On The Outside 11. Danger Games Disc 2 - DVD Live @ Firefest Ⅲ [ 2006 ] 1. Changes 2. Ready For The Taking 3. I Burn For You 4. Love Stroke 5. Too Wild 6. Sole Survivor 7. Conspiracy 8. Get You On The Run 9. World Of Promises Weapons of Choice 1984-2006 2006/4/24 [ Best ] 1. Rev It Up 2. I Burn For You 3. World of Promises 4. Conspiracy 5. Ride Me High 6. Mr Heartache 7. We Are One 8. Sole Survivor 9. Go! 10. Ready For The Taking 11. Changes 12. Get You On The Run 13. Strike Without A Warning 14. Too Wild 15. Outlaw 16. You re The One I Want 17. Learn To Fly 18. Still In Heaven 19. Party All Over Live Live @ Club Citta Kawasaki January 10th 2015 sat "Kawasaki Rock City vol.3" Day 1 1. SE / 2. The War Is Over / 3. Strike Without A Warning / 4. Ready for The Taking / 5. Papertiger / 6. Changes～Rev It Up～Party All Over～Too Wild / 7. I Burn For You / 8. We Own The Night / 9. Sole Survivor / 10. Roar / 11. Gimme One More Night / 12. Get You on The Run / 13. Conspiracy / 14. Skies of Mongolia / 15. World of Promises Anders Gary Wikstrom (g), Robert Ernlund (vo), Jamie Borger (ds), Patrick Appelgren (key), Fredrik Thomander (b)
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現行AC削除曲・CS専用曲 X3で削除された曲 現行AC削除曲・CS専用曲 旧足9/新足13 現行AC削除曲・CS専用曲 旧足10/新足14~ 現行AC削除曲・CS専用曲 AC版DDR X2に収録されていない高難易度曲や足13以上ではない対象外曲。(CS初出曲以外にもAC初出の削除曲も含む。) 国内版の作品でプレイ不可能な曲・譜面は割愛。(データが少ないため。) 難易度表記は「旧10段階表記/新20段階表記」で表す。10+は足10で難易度表記の足マークが点滅していることを表す。 X3で削除された曲 曲名 難易度 国内初収録 BPM NOTES/FREEZE(SHOCK) DAFT PUNK IS PLAYING AT MY HOUSE(激) -/10 X2 136 302/32 Ghetto Blasta Deluxe(激) -/10 X 131 319/4 Happy(激) -/10 X 138 289/23 Here It Goes Again(激) -/10 X 146 324/4 Swingin (激) -/10 X 105 245/6 U Can t Touch This(激) -/10 X 133 299/25 We Come Alive(激) -/10 X 126 291/15 世界は踊る(激) -/10 X 110 240/5 Reach Up(激) -/11 X 150 294/11 ANGELUS -アンジェラス-(激) -/12 SN2 131 340/11 現行AC削除曲・CS専用曲 旧足9/新足13 DDRMAXの曲に関しては、他の作品で足9になっているものを取り上げます（一部例外あり）。 曲名 難易度 国内初収録 BPM NOTES/FREEZE(SHOCK) LOVE(激) ※4th PLUS譜面 9/- (AC)2nd 129 321/0 LUV TO ME (disco mix)(激) ※CLUB2で追加 9/12 (AC)CLUB1 154 358/0 gentle stress(激) 9/- (AC)CLUB2 174 333/0 GRADIUSIC CYBER(激) 9/- (AC)CLUB2 159-167 334/0 GRADIUSIC CYBER (CLUB ANOTHER)(激) 9/- (AC)CLUB2 159-167 346/0 ska a go go(激) 9/- (AC)CLUB2 144-160 327/0 ska a go go (CLUB ANOTHER)(激) 9/- (AC)CLUB2 144-160 383/0 butterfly (UPSWING MIX)(激) ※4th PLUS譜面 9/- (AC)3rd 170 388/0 CAPTAIN JACK (GRANDALE REMIX)(激) ※3rdバージョン 9/- (AC)3rd 170 360/0 END OF THE CENTURY(激) 9/13 (AC)3rd 171 349/0 FURUHATA S THEME(激)※4th当時はNINZABURO 9/- (AC)4th 170 412/0 HYPNØTIC CRISIS(激) 9/- (AC)4th 135 284/0 SAINT GOES MARCHING (REMIX)(激) 9/- (AC)4th 110-175 315/0 DO ME (H.I.G.E.O. MIX)(激) 9/- (AC)4th+ 130 346/0 Lupin the 3rd 78(激) 9/- (AC)4th+ 150 388/0 RHYTHM AND POLICE (K.O.G G3 Mix)(激) 9/- (AC)4th+ 170 420/0 WONDA (SPEED K MIX)(激) 9/- (AC)4th+ 170 379/0 B4U glorious style(激) 9/- (AC)5th 155 744/0 祭 JAPAN(激) 9/12 (AC)5th 180 447/0 NO LIMIT (RM Remix)(激) 9/- (AC)5th 141 412/0 PARANOiA ETERNAL(激) ※5th譜面 9/- (AC)5th 200 352/0 ロマンスの神様(激) 9/- (AC)5th 157 325/0 FANTASY(激) ※MAX初出 9/- (AC)MAX 160 350/30 FLASH IN THE NIGHT(激) ?/- (AC)MAX 158 413/12 JUSTIFY MY LOVE(激) 9/- (AC)MAX 140 294/48 SO DEEP (PERFECT SPHERE REMIX)(激) 9/- (AC)MAX 140 498/1 TWILIGHT ZONE (R-C Extended Club MIX)(激) 9/- (AC)MAX 138 325/21 STAY(激) 9/- (AC)MAX2 140 340/6 CARTOON HEROES (Speedy Mix)(激) 9/- (AC)EXT 170 408/10 IRRESISTIBLEMENT(激) 9/- (AC)EXT 166 355/3 Brilliant R･E･D(激) 9/12 (AC)SN 150 342/35 Drivin (激) 9/13 (AC)SN 155 394/16 Xmix1 (Midnight Dawn)(激) -/13 (AC)X 75-300 697/22 Xmix3 (Stomp Dem Groove)(激) -/13 (AC)X 120-142 637/37 Xmix5 (Overcrush)(踊) -/13 (AC)X 70-400 671/44 PARANOiA MAX (DIRTY MIX) in roulette -X-Special-(鬼) -/13 (AC)X 190 371/12 MAX. (period)(楽) 9/- (CS)EXT 180-600 343/5 MAX. (period)(踊) 9/- (CS)EXT 180-600 394/3 INFINITE PRAYER(激) 9/- (CS)FES 137 450/12 祭 (J-SUMMER MIX)(激)※FES→SNで微妙に譜面変更 9/10 (CS)FES/(AC)SN 180 311/20→312/21 MGS2 mission R(激) 9/- (CS)FES 150 362/6 HEAVEN IS A PLACE ON EARTH (German Election Mix)(鬼) 9/- (CS)STR 140 315/2 In My Eyes (Midihead Remix)(激) 9/- (CS)STR 142 413/22 Knock Out Regrets(鬼) 9/12 (CS)STR 180 369/22 Love Is Dreaminess(激) 9/- (CS)STR 178 465/5 Luv To Me (UCCHIE S EDITION)(激) 9/- (CS)STR 160 307/15 TOE JAM(激) 9/- (CS)STR 112-160 426/15 VJ Army(激) 9/- (CS)STR 135-160 381/21 ZERO-ONE(激) 9/- (CS)STR 160 345/11 EternuS(激) 9/- (CS)SN2 140 368/17 SP-TRIP MACHINE ～JUNGLE MIX～ (SMM-Special)(鬼) -/13 (CS)X 160 238/3 1998 (Sparky 2006)(激) 9/- (CS)HP 150 340/6 Call On Me(激) 9/- (CS)HP 170 342/43 CANDY (UFO Mix)(激) 9/- (CS)HP 90-180 409/52 Confession(激) 9/- (CS)HP 150 310/41 Hot Stuff(激) 9/- (CS)HP 145 339/25 I m Flying Away(激) 9/- (CS)HP 180 394/0 little steps(激) 9/- (CS)HP 155 332/33 LOVE SHINE (Body Grooverz 2006 mix)(激) 9/- (CS)HP 177 433/8 the beat(激) 9/- (CS)HP 140 414/7 THE REASON(激) 9/- (CS)HP 85-98 290/5 tokyo EVOLVED(踊) 9/- (CS)HP 70-280(-560) A 355/15 B 361/15 C 334/15 Too Little,Too Late(激) 9/- (CS)HP 83-166 301/18 We Will Live Together(激) 9/- (CS)HP 175 333/14 Closer to my Heart (jun remix)(激) 9/- (CS)FFP 145 391/27 Desert Journey(激) 9/- (CS)FFP 140 359/28 Habibe (Antuh muhleke)(激) 9/- (CS)FFP 144 389/0 KYOKA-SUIGETSU-ROW (DDR EDITION)(激) 9/- (CS)FFP 175 431/58 osaka EVOLVED -MAIDO,OHKINI!-(踊) 9/- (CS)FFP 50-300 A 359/22 B 359/22 C 375/25 Racing with Time (NAOKI s 999 remix)(激) 9/- (CS)FFP 157 354/14 Somehow You Found Me(激) 9/- (CS)FFP 175 406/0 「カルメン」前奏曲(激) 9/- (CS)MF 177 383/0 フルフル♪パーティー(踊) 9/- (CS)MF 100-192 748/35 「ウイリアム・テル」序曲より(激) 9/- (CS)MF 180 498/5 現行AC削除曲・CS専用曲 旧足10/新足14~ 曲名 難易度 国内初収録 BPM NOTES/FA(SHOCK) Xmix5 (Overcrush)(激) -/15 (AC)X 70-400 1003/45 MAX.(period)(激) 10+/- (CS)EXT (150-)180-600 573/3 MAX.(period)(鬼) 10+/- (CS)EXT (150-)180-600 515/3 MAD BLAST(激) 10/- (CS)FES 180 443/21 OUTER LIMITS(激) 10+/- (CS)FES 86-343 501/49 G2(激) 10/- (CS)STR 170 536/47 PARANOiA MAX ~DIRTY MIX~ (SMM-Special)(鬼) -/18 (CS)X 95-380 523/0 tokyo EVOLVED(激) 10/- (CS)HP 70-280(-560) A 522/6 B 523/6 C 492/6 osaka EVOLVED -MAIDO,OHKINI!-(激) 10/- (CS)FFP 50-300 A 446/31 B 420/16 C 460/81 HOTTEST PARTY(激) 10/- (CS)MF 120-170 881/53 フルフル♪パーティー(激) 10/- (CS)MF 100-192 1048/87
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ブルースロック/Just you wait!/heap Break down まさか冗談じゃない 休んでる暇はない Slow down したら横断できない こんなはずじゃないのに Get down 誰か診断してよ やる気も自信もない Feel down なぜか判断できない 指し示す標識も霧の中 Get up Just you wait！ Get up Just you wait！ Oh lord！ Don t reave, Give me the power！ Nobody knows you when you re down and out I will try to get up myself Knock down だけは冗談じゃない あきらめたりはしない Count down 今は銃弾込めて 撃ち放す時を待っている
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アドレスファミリに依存しないソケットプログラミング [#rd0004f5] getaddrinfo [#getaddrinfo] getnameinfo [#getnameinfo] Sample [#jcc59af1] アドレス情報を格納する構造体(addrinfo) [#addrinfo] アドレス情報を格納する構造体(sockaddr_storage) [#sd9933a1] NIC一覧 [#r297a456] パケットキャプチャ [#vc5f543e] bookmark [#bb48772b] アドレスファミリに依存しないソケットプログラミング cf http //www.koutou-software.co.jp/junk/howto-independ-addfamilysock.html IPv4、IPv6 の両方の環境で動作するプログラムを書くために、主役となる2つの API があります。 getaddrinfoとgetnameinfoです。 以下に 2つの API の簡単な説明を示しますが、詳細は man(1) などで確認してください。 getaddrinfo ノード名、サービス名をアドレス情報に変換するための getaddrinfo(3) です。 この API は gethostbyname(3) および getservbyname(3) と似たような機能を持っており、アドレスファミリから独立した方法で アドレス情報を取得することができます。 int getaddrinfo(const char *nodename, const char *servname, const struct addrinfo *hints, struct addrinfo **res); IN nodename ノード名を渡します。例えば、"192.168.1.155" や "super-www-sv" などを渡せます。 IN servname サービス名を渡します。例えば、"21" や "ftp" などを渡せます。 IN hints 取得するアドレス情報の種類などを指定します。 OUT res 取得されたアドレス情報へのポインタが返されます。ポインタが不要になったら、freeaddrinfo(3) で解放しなければなりません。 RETURN 成功時は 0 です。失敗時は gai_strerror(3) に返り値を渡してエラー文字列を取得できます。 getnameinfo アドレス情報をノード名、サービス名に変換するための getnameinfo(3) です。 ちょうど getaddrinfo(3) と逆の処理を受け持ちます。この API は gethostbyaddr(3) および getservbyport(3) と似た機能を持ち、やはり、アドレスファミリから独立した方法でノード名、サービス名を取得することができます。 int getnameinfo(const struct sockaddr *sa, socklen_t salen, char *host, size_t hostlen, char *serv, size_t servlen, int flags); IN sa アドレス情報へのポインタを渡します。 IN salen アドレス情報の長さを渡します。 OUT host 取得されたノード名を格納するバッファを渡します。 IN hostlen host のバッファ長を渡します。 OUT serv 取得されたサービス名を格納するバッファを渡します。 IN servlen serv のバッファ長を渡します。 IN flags ノード名、サービス名の取得方法などを指定します。 RETURN 成功時は 0 です。失敗時は gai_strerror(3) に返り値を渡してエラー文字列を取得できます。 Sample /* tes.c */ #include sys/types.h #include sys/socket.h #include netdb.h #include stdio.h int main(int argc, char *argv[]) { char *nodename; /* ノード名 */ char *servname; /* サービス名 */ struct addrinfo hints; /* getaddrinfo() への指示用 */ struct addrinfo *res = NULL; /* getaddrinfo() からの返り値を受ける */ struct addrinfo *adrinf; /* getnameinfo() からの返り値を受け取るバッファ */ char hbuf[NI_MAXHOST]; /* ノード名 */ char sbuf[NI_MAXSERV]; /* サービス名 */ int rc; if (argc != 3) { fprintf(stderr, "usage %s nodename servname\n", argv[0]); return -1; } nodename = argv[1]; servname = argv[2]; /* まずアドレス情報を得る */ memset( hints, 0, sizeof(hints)); hints.ai_socktype = SOCK_STREAM; rc = getaddrinfo(nodename, servname, hints, res); if (rc != 0) { fprintf(stderr, "getaddrinfo() %s\n", gai_strerror(rc)); return -1; } /* 得られたアドレス情報すべてに対して処理を行う */ for (adrinf = res; adrinf != NULL; adrinf = adrinf- ai_next) { /* 得られたアドレス情報を文字列表現に戻す */ rc = getnameinfo((struct sockaddr *) adrinf- ai_addr, adrinf- ai_addrlen, hbuf, sizeof(hbuf), sbuf, sizeof(sbuf), NI_NUMERICHOST | NI_NUMERICSERV); /* アドレス形式を得る */ /* 0); */ /* できる限り FQDN を得る */ if (rc != 0) { fprintf(stderr, "getnameinfo() %s\n", gai_strerror(rc)); continue; } printf("---------------\n"); printf("hbuf [%s]\n", hbuf); printf("sbuf [%s]\n", sbuf); } /* アドレス情報を解放する */ if (res != NULL) freeaddrinfo(res); return 0; } アドレス情報を格納する構造体(addrinfo) さきほど紹介したコードをみれば自明のことかもしれませんが、上記コードのなかではアドレス情報を格納するために、 struct addrinfo を用いています。 今まで IPv4 で用いていた struct sockaddr_in や、IPv6 のための struct sockaddr_in6 を使う代わりに、struct addrinfo を用いることでアドレスファミリに依存せずに アドレス情報を保持することができるようになります。 struct addrinfo のメンバをみてみましょう(以下は getaddrinfo(3) のマニュアルから引用しました)。 struct addrinfo { int ai_flags; /* AI_PASSIVE, AI_CANONNAME, AI_NUMERICHOST */ int ai_family; /* PF_xxx */ int ai_socktype; /* SOCK_xxx */ int ai_protocol; /* 0 or IPPROTO_xxx for IPv4 and IPv6 */ size_t ai_addrlen; /* length of ai_addr */ char *ai_canonname; /* canonical name for nodename */ struct sockaddr *ai_addr; /* binary address */ struct addrinfo *ai_next; /* next structure in linked list */ }; ai_family というメンバがあります。getaddrinfo(3) でアドレス情報を取得すると、 ai_family には取得したアドレス情報のアドレスファミリが設定されます。そのほかにも、ai_socktype には ソケットタイプ、ai_protocol にはプロトコル、ai_addrlen にはアドレス情報の長さが設定されます。 今までのプログラミングでは socket(2) や bind(2) を呼び出す際に、 AF_INET や IPPROTO_TCP といった定数をハードコーディングしていました。また、アドレス情報の長さも sizeof(struct sockaddr_in) のようにして、直接指定していることが多かったと思います。 しかし、struct addrinfo のメンバにはこれらの API に必要な値が保持されているため、ハードコーディングする必要は なくなります。socket(2) や bind(2) には、getaddrinfo(3) で得た struct addrinfo のメンバの値をそのまま渡すだけで良くなりました。 例えば、以下のようになります。 struct addrinfo *adrinf; int sock, rc; /* アドレス情報を得る */ rc = getaddrinfo(..., adrinf); ... /* ソケットを作成する */ sock = socket(adrinf- ai_family, adrinf- ai_socktype, adrinf- ai_protocol); ... /* ソケットにアドレス情報を関連付ける */ rc = bind(sock, adrinf- ai_addr, adrinf- ai_addrlen); 最初に紹介した TCP サーバ(sv4.c)の例と比べてみてください。最初の例では socket(2) の引数には AF_INET がハードコーディングされていましたし、bind(2) の引数にも sockaddr_in 型の変数のサイズを sizeof() で直接渡していました。 しかし、上記の方法ならば、定数 AF_INET を書く必要もありませんし、アドレス長も sizeof() で取る必要はありません。 struct addrinfo のメンバの値をそのまま渡すだけで済んでいます。 アドレス情報を格納する構造体(sockaddr_storage) 上で紹介した struct addrinfo と別に、もうひとつ構造体を紹介しておく必要があります。その構造体とは、 struct sockaddr_storage です。 この構造体は、accept(2) や recvfrom(2) を呼び出した際に、 リモートホストのアドレス情報を受け取るために使用できます。この構造体はどんな種類のアドレス情報に対しても十分に 大きいことが保障されていますので、安心してアドレス情報を受け取ることができます。 struct sockaddr_storage で受け取ったアドレス情報は struct addrinfo と同じように getnameinfo(3) に渡すことで、 ノード名、サービス名を得ることができます。例えば、以下のようになります。 struct sockaddr_storage peer; /* クライアントのアドレス情報を格納する */ socklen_t len; /* クライアントのアドレス情報の長さを格納する */ int svsock; int sock; char hbuf[NI_MAXHOST]; /* ノード名 */ char sbuf[NI_MAXSERV]; /* サービス名 */ int rc; /* サーバソケットをセットアップする */ svsock = socket(...); ... /* * クライアントからのコネクト要求を受け入れると共に、 * クライアントのアドレス情報を取得する。 */ len = sizeof(peer); sock = accept(svsock, (struct sockaddr *) peer, len); if (sock 0) { perror("accept()"); ... } /* クライアントのノード名とサービス名を得る */ rc = getnameinfo((struct sockaddr *) peer, len, hbuf, sizeof(hbuf), sbuf, sizeof(sbuf), 0); ... NIC一覧 cf http //7ujm.net/C++/NicList.html パケットキャプチャ cf RAW socketとSIO_RCVALLを用いた実装 http //codezine.jp/article/detail/125?p=1 http //7ujm.net/C++/RAWSocket.html http //www.kawatan.net/archives/2006/05/post-56.html http //d.hatena.ne.jp/higepon/20051123/1132758486 WinPcapを用いた実装 http //codezine.jp/article/detail/126 bookmark The Winsock Programmer’s FAQ http //tangentsoft.net/ #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (nolink) http //homepage2.nifty.com/spw/
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Well, well. There you are. Tried to trick me, didn t you? No one tricks old Wazza, I ll tell you that for free. Now, come on. Come on! Vinnie finds Zoë The last time I saw this place, it was desolate. Now, there s life everywhere. The Guardian s Realm has really changed. Am not! I ll prove it! She s stirring something in that big cauldron. Examine soup lady far I told you to stay away from there! Second time Hey, get away from there! I m not telling you again! Third time Ah, good. Na ane s already here. Maybe she has some news for me. Na ane said there s an informant waiting for me on the pier. MISSING TEXT Hey she s a rebel leader, yo! She told me I can find the Scorpion on the pier. I should not keep her waiting. I m surprised at how quickly you were defeated... So it seems that you are not unbeatable after all, Apostle. It was an honour to be defeated by you, Apostle. Will all due respect, Apostle, I pray that you will perform better in the field than you did in the ring today. Bad or mediocre performance after The Six could not wish for a better Apostle than you. Your skill with the blade is beyond compare, Apostle. To see you defeated...this is a rare sight, Apostle. The rumours of your skill with the blade are vastly exaggerated... The Word of the Goddess is safe in your hands, Apostle. Let s hope the faithless are more charitable than we were today. I stand humbled before you, Apostle. You were too easy on us, Apostle. Mediocre performance It seems that anyone can become an Apostle these days... No Goddessless heathen is safe from your sword, Apostle! Good performance after Let s hope you re afforded more quarter in the heathen lands than you were here today. Bad or med performance after We may disagree on many matters, but I hold Master Garmon in the highest esteem. He is true of heart, and a faithful friend and teacher. Go right in, Apostle. You are expected. May the Goddess protect you on your Mission, Apostle. Please enter, Apostle. Go with the Six, Apostle. These soldiers are charged with the protection of the Six, and of the Council. It is a great honour to be considered for such a duty. Examine once I believe I have trained with both of these guards myself. The Six, and the Goddess, have entrusted me, their servant and Apostle, with an important mission. Thank God you re here, Liv. I don t know what to do. Reza s disappeared and the EYE s looking for him! I need you to slow down, sweetie. Where have you been? I came over last night, but you weren t home. No one had heard from you, and your mobile was off the Wire. Completely. That s because I was arrested! I don t know what s happened to him or where he is. They asked me all kinds of questions about him. I think he s in serious trouble, Liv. Calm down, sweetie. I m sure he s all right. Take a deep breath, and start from the top. Okay. (Deep breath) Upset Yeah? Oh, hey! ...and when I woke up I was in this strange room in the Syndicate building. Alone. I spent half the night in there. Over and over again, the same questions about Reza, Jiva, the package... They didn t let me go until early this morning. Wow. Zoë, that s...that s so scary. I can t imagine what it was like for you. You must have the worst hangover in history. Wow. Dead girl A datacube. They told me it held sensitive information, but that s all I know. I didn t open it, but they told me it contained a datacube with sensitive information of some sort. It had to be pretty sensitive for the EYE to raid Reza s place. I wonder what it was. This sounds really serious, Zoë. Whatever it was, I don t believe Reza had anything to do with the dead woman. He wouldn t hurt a fly. It must be that story he s working on. Maybe he pissed off the wrong people? Maybe he uncovered something really bad? And now...now I m involved, too. You ll be okay, sweetie. They let you go. Hey, what was the name of that company again? I ll rustle up some contacts, do a bit of digging, see if anyone s got the lowdown. Jiva. And the woman s name was Helena Chang. I ll send out some feelers on the old network, see what I can come up with. It has to ring someone s bell. We ll figure this thing out, Zoë. And, you know, I m sure Reza s fine. He s been in trouble before. He knows his way around those Syndicate goons. Well, I don t know about that. See, I got this message from him through Wonkers. It was automatically triggered because he didn t check in for twenty-four hours. They would. You re not meant to go snooping around there, Zoë. The EYE means business. Reza s in trouble and he needs my help. I have to get those notes. Can you help me? I don t know about that. I got a message from him through Wonkers. It was automatically triggered because he didn t check in for twenty-four hours. Sure you wanna go back there, sweetie? You don t mess with the EYE. Those battlesuits aren t Halloween costumes. Besides, his flat s probably been sealed by now. Reza s in trouble, and he needs my help. There must be something you can do. No Reza If you re absolutely sure...yeah. I can get you through an EYE seal, but we ll need to upgrade your mobile. What if I m arrested again? I don t need to get charged with possession of illegal software on top of everything else. Don t worry, I ll mask the hack. Anyone checks your mobile, all they ll find are some new avatar masks. What do you want? Fluffy bunny rabbits or cuddly koala bears? Surprise me. Get Hack Done. You re good to go. But Zoë? Promise me you ll be careful, okay? And give me a call if you need help with anything...or get yourself into trouble. No trouble. And I ll definitely call you if I need help. Thanks, Olivia. You re the best. Sweetie, I m sending you into EYE territory equipped with an illegally modified mobile. I m either your best friend or your worst enemy. I disabled the seal on Reza s apartment using your hack, but it turns out they ve got a spider watching the place. What kind of spider? Describe it to me. Um. Four legs, shiny, size of a football? I need more to go on than that, Zoë. Did you see a logo? Not really. I just came by to say hello. Are you okay, sweetie? Just a bit overwhelmed, Liv. But yeah, I m okay. See you later? Sure. Take care, okay? Bye! I took a closer look at the spider. Notice any distinguishing features, like a logo? Checked out spider There was a logo...like a golden lion s head. Asad Robotics. They re based in Mogadishu. They put together some of the best robotics in the world. Probably the S-850 series. I know the EYE ordered several thousands of that one a few years back. Luckily, we cracked the security codes on those a while ago. I ll up the software you need to hack into and disable it to your mobile. Just a sec. Saw it I didn t get a good look at it. Sorry. Okay. There s not much I can do to help you. Didn t see it Well, most basic security spiders aren t that hard to trick. They react to sound and movement, in that order. If you move slowly and don t make any loud noises, you should be able to sneak by it. Wake it up, and you ll have to stay completely still until it goes back to sleep. If you don t, you ll get fried. Is there any way to permanently disable a spider? Aside from hacking? Good question. All right, so move quietly, stay still if it wakes up, find a way to expose it to water. Instructions You re good to go, Zoë. Good to go Okay, but first let me tell you how this hack works. The firewall s got these symbols that are difficult to automatically decipher. Don t ask me why. It s a mystery. All you have to do is match the symbols at the bottom of the screen with the exact same symbols in the matrix - one by one. Match all the symbols, and the codebreaker does the rest. But there s a time limit. Stay connected for too long, and the codebreaker disconnects. That way, you avoid triggering alarms. You can usually reconnect again after a few seconds. So it s almost like a game. Sweetie, it s definitely not a game. There are real people safeguarding the Wire, and most of them aren t particularly friendly. You don t need to tell me that. I ve learned the hard way. Liv? What s up, sweetie? Nothing much. I just stopped by to say hello. I ll see you later, okay? He wanted me to pick up his notes from his flat. I dropped by earlier, but I couldn t get in. They ve sealed the door. The message told me how to find his notebook in his flat. That might give me some idea what s happened to him. Hey, did you see that? Vision See what, sweetie? On the screen. I saw the same thing earlier today. It was like... I don t quite know how to describe it. Mmm, no. Could ve been the Static. It s been getting worse by the day. I even got disconnected from the Wire for a few moments this morning. There s this snowy landscape with a black house...and a little girl who looks like a ghost. And she speaks to me. "Save her, find her". Really, really freaky stuff. Wow. That is scary. I haven t seen that, I definitely would ve remembered. Are you sure you just haven t been watching too many horror movies lately? Don t you start with that, too, Liv. I m already feeling guilty enough as it is. I m sorry, sweetie. I didn t mean anything― No, it s okay. It s me. I don t know what s going on with me. I can barely get out of bed in the morning. I see you all the time, don t I? You haven t abandoned me. No, but that s because it s so easy to come here. If it requires any more effort on my part... And that goes for everything. I m on autopilot. What was that, sweetie? Oh, yeah, that s right. It s something really cool! You re probably right. And I do complain way too much, don t I? I don t want to be the whiny, apathetic Zoë. I want to be me again. Okay. Let s pretend for a second that I haven t a clue what you re talking about. Can do. It s like a...a cloak for your mobile. Want to be invisible? Just tap the screen! Well, actually, you select menu and applications , and then the icon that looks like a penguin, and then activate , but that s like one...two...three... Okay, four taps. Small price to pay, seeing as you re now invisible, right? I don t get it. I m invisible? No, you re not invisible. That s impossible, except with a very, very expensive combat suit, and those things don t hold up to a can of spray paint. What this little hack does is make your mobile invisible to the Eye in the Sky. You re untraceable. The Syndicate can t track your mobile. Mondo cool, huh? That is cool. How does it work? You just, what, wire it to my mobile? Yup. Easy as strawberry pie. Gimme a second, and I ll― Invisible Oops. This is, like, important, sweetie. I m buying a batch of exclusive Ethiopian mobiles directly from the factory, real cheap. So I gotta― I ll hook you up with the software when you come back, okay? You re not going to believe this. I was attacked. Again! Yeah. Just...just a bit shaken. What? Sweetie! Are you okay? I really thought they were going to kill me. One of them slammed me up against the wall, knocked the breath out of me, and... What were they looking for? Did they take anything? Twins Hey, do you have the notebook? Then I came straight here. I need your help with the notes. What? Zoë! Reza entrusted you with the information. You should go get it immediately. No Notepad Okay sweetie, I need time to decrypt this thing. It s got some heavy locks on it...except for the final entry. Newport. That s in North America. The west coast. I wonder what The Fringe is. Maybe he s meeting this Charlie guy at a restaurant? I have to go to Newport. I don t know, sweetie. Maybe you should just give the information to Reza s editor. Let The Hand That Bites handle it. I can t do that. This is Reza we re talking about. He s in trouble. I can t just sit here and wait for him to come back. What if he needs my help? I ll work on decrypting the rest of Reza s notes. We need to figure out what he was working on. It could take a while, so I ll just close up the store. My regulars know how to get in touch. I ll call you as soon as I got something. And the notepad, do you still have it? Give it to me, sweetie, and I ll see what I can do. Here s Reza s notepad. Give notebook Hey, sweetie. What s up? Oh, nothing much. All right! Hey, Liv, I need some help. Okay. Just a sec, and I ll let you know what we re dealing with. Thanks, Liv. Okay. I ll update your mobile now. Oh, and I m also giving you that software cloak we spoke about yesterday. You ll be invisible to everyone. Even me. (To mobile) Tadiyass, Alem! Dehna neh? What kind of animal is that? An ape? It seems almost...human. When I threw the pebble, that creature got distracted for a while. Maybe it could work again? If already thrown There s really no point. If no grubber Those glowing symbols look like they re etched right into the rock. Examine before touch I think each of these symbols play a musical note. Examine after touch Maybe I m supposed to play a sequence of notes...like a melody. But what melody? Examine again after touch There are massive cogwheels and clockwork mechanisms down there. I think they re connected to the waterwheel. It looks like a city, but I think it s deserted. Thank God. All this stuff, it s like something out of a fantasy role-playing game. That must be Clara. She certainly looks the part. Examine before talk close Yup. She s pretty crazy, all right. Examine after talk Crazy Clara. Never has a name been more fitting. Examine again after talk They are ready for me. All I have to do is step into the circle. I think most everyone here works for WATIcorp. This is a one company town, which means that everyone works for WATIcorp. The ticket machine s out of order. Examine after try Employees only, I imagine. Examine after use Hey Olivia. If Zoë just ran Sweetie, what was up with you this morning? You just ignored me! Oh, sorry about that. I was in such a hurry to get to the gym. Don t worry about it. Hey, are you busy now? I wouldn t say that. Why, what s up? I have something I want to show you. Something really cool. Come up to the store, and I ll show you. All right. I ll be there in a few minutes. Hey Liv. What s up? If Zoë said she wasn t busy Where are you? I thought you were gonna pop into the store, but you vanished. I have something to show you. Oops. Sorry about that. I was running really late for the gym. Don t worry about it, sweetie. Do you have time now? Sure. I ll be there in a few minutes. Okay. See ya! I don t know Jawhar very well, but I ve met him a few times. Jawhar. I don t know his last name. Liv s workstation. No network in the world is safe when she gets wired. Olivia s workstation. I really have no idea what that s supposed to be. Refurbished and upgraded bots is a specialty of Liv s. She makes tons of money from that. Those Watillas are probably a lot smarter and more versatile than Wonkers...but I don t care. Wonkers is special. There s a boat down there. It s a waterfall. Why doesn t it hit the wheel? Before waterwheel examine The machine caused the water to be diverted onto the wheel. Examine after waterwheel I sure hope that latter leads out of this place. Examine bottom before It s broken. There s no way to climb up there. It collapsed right under my feet! I m so lucky to be standing here... Examine before first jump It s a long way up...but at least it s going up. That must be a good sign. Examine bottom after What a strange contraption. It...reminds me of something, but I can t put my finger on it. This place must be ancient, but that thing looks as good as new. Solid craftsmanship. It s incredible that something like this has existed underneath Marcuria for so long, without anyone knowing about it. Broken. This looks incredibly advanced, and incredibly old. But there weren t machines in Arcadia before the Azadi came along...were there? That rope is the only way to get from here to there. Hopefully it ll hold my weight. Looks like there are more bridges further down. These caves are massive. There is evidence of someone, or something, living down here. It must be these creatures I keep seeing. I m either stuck here, or I jump across. Examine again before I can jump that thing again, I m sure of it. There s light seeping through, but I can t see anything. Benrime installed that mechanical beer tap to stay on good terms with the Azadi. She hates using it. It keeps breaking down. No heretic will be spared my sword! I ll make the terrorists pay for what they have done to trueborn. Rebel weaponry. Tainted with the blood of many a trueborn, no doubt. My men will bring swift justice to the terrorists who hide in this place. We will never surrender to you, Azadi! Taste my blade, Azadi dog! It seems you ve found us a rebel nest, Apostle. Let s make these terrorists pay for their crimes against the Goddess, Apostle. At least fire looks the same here as it does back home. I mean, that s something. The Journeyman used to be so busy. Nowadays, Benrime s lucky to serve twenty guests in an evening. The bars and taverns near the tower are filled with Azadi. I prefer it here. It s a bit quiet these days, but Benrime still serves the best food and drink in town, no question about it. (Sniffs) The soup smells pretty good, even though I m not hungry. Theres a big cauldron in that cart. Probably some kind of mobile kitchen. Hey, he looks familiar. Where did I see him? This is one of the few places left that looks exactly like it did before the Azadi came. Except for that modern beer tap... The ambience here in the Journeyman sure has changed since my last visit to the city. The Ghetto s full of contraband goods. Once in a while we have to go in there to clear it out. We ll show those damn magicals who s in charge around here. That s right, baby. Play your cards right today, and I might take you for a ride tonight. Oh yeah. Yeah, sweet peach. Name s Iqbal, and I m a man s man. Wanna see my...panty collection? We re so lucky to be living here in Casablanca. This city really prospered after the Collapse, together with most of Africa. My daughter Hana moved home from Europolis last spring. From what she told me, it s not a good place to live. So much violence and pollution. If there s another Collapse, this is the safest place to be. Lots of rich people moved here the last time around. Our system s better able to handle a total breakdown. This is such a nice marketplace. Downtown, there are only malls and franchises. The free flow of capital attracts all kinds of people to Casablanca. Rich people. My kind of people. I m sure someone will figure out what s causing the Static soon, and put an end to it. If the Syndicate can t figure out what s causing the Static, I m sure the Hand That Bites will. They re always on top of these things. My daughter works over on the main campus, across the canyon. She s doing a lot of overtime. I haven t seen her in weeks. I ve been thinking about leaving Wati City and moving to Africa. My options are a bit limited here. Everyone here works for WATIcorp in some capacity. There s zero unemployment. All eyes will be on WATIcorp in the very near future, I m sure. My sister s working on Alchera, but she won t tell me a thing about it. I ve heard that the whole development team is under surveillance. I wish I could find work over on the main campus, but you need to have very specific skills. At the Journeyman, traditional values still hold true, and you re allowed to be who you are. The Azadi, they want everyone to be the same. You know, I ve heard rumours that freedom fighters frequent the Journeyman. I think Benrime might be working with the movement... Back in the old days, this place was filled with laughter, song, and magic. Look at it now. It s a bit sad, isn t it? I don t know why I still come here, since I like to dance and sing. I should try one of the new places down Ayrede Avenue. So maybe there was more poverty and crime before, but at least we were free to speak and believe anything we wanted. The Azadi rarely come in here, except when they re doing inspections, so we can speak freely. I don t come to Marcuria much these days. I don t like what s happening here. Up north, things are the same as always. It s bad enough to move all the non-humans into a ghetto, but to tell me I can t practise my religion in public... Now that s too much. Talking to strangers is bound to cause trouble. I just want to go about my business without rocking the boat. All I care about is the safety of my loved ones. As long as I stay out of trouble, we ll be all right. I don t understand how anyone could talk badly about the Azadi. I think the Azadi are brilliant. I think it s great that the magicals have their own place now. It s more pleasant for everyone. Sadir is the most amazing city in the world! I ve never been there, but I can just see it. Technology everywhere! Truly a city of tomorrow! Technology is the way of the future! One day we ll have steam machines on wheels transporting us where we want to go! Call me insane, but I know it to be true! Conditions in the ghetto aren t bad, all things considered. We got food and water, and there s medicine and herbs for everyone. What we don t have is freedom. They said they were moving us into the ghetto for our own protection. Protection from what? Every other day, the Azadi are raiding the ghetto, confiscating personal belongings and merchandise. It s harrassment, plain and simple. No, no, I don t speak to strangers, that s dangerous, that is. I can t go anywhere else in Marcuria, not without special permission. And I can t go home. There s nothing left of my home. There are so few left of us now. My brothers and sisters have all been killed... Sir. Excuse me. Don t hurt me! Please, I ve done nothing wrong! I m sorry. I ve stayed inside the walls of Oldtown, and I haven t stolen anything from anyone. Please, I just want to stay here and not get in anyone s way. I don t even know why I m still here in Marcuria. I should leave while I have a chance. One day, those gates will be closed...for good. April/Zoë They treat us like animals, the Azadi, locking us up inside the ghetto and restricting our movement. "Four our own protection," my ass. My brother was arrested a few months ago, and I haven t heard from him since. They never told us what he did wrong, or where he is. I could be next... There was already a raid this morning. What do you people want now? There s nothing left here for you to take, Azadi. Nothing except for our lives. If you re not going to arrest me, then leave me alone. This museum s a bit shit, isn t it? And there s only this one room? I can t believe I actually paid good money to come here. I shouldn t have let her drag me up here. She makes the worst choices. I could ve been scuba diving in the Philippines right now. Who cares about that big announcement of theirs. It s all kid s stuff, anyway. Wow, this place is just so amazing. I didn t know technology could be so exciting! I m learning so much right now. What are they gonna think of next? Like, a new Watilla, but with wings? That would be awesome. I m so excited about that new product WATIcorp s coming out with. It s going to be so awesome, I just know it. Maybe it s like a new Watilla, but with wings... Get your ma― Maritime accessories. Eh, everything any discerning sea farer could covet. Oh, my insignificant collection of knick knacks probably wouldn t interest a man of your exalted tastes, good sir. I will do anything I can to assist you, sir, within my limitations. I am, after all, no magician. Just give me your worst, Azadi. For every one of us you strike down, another ten will rise. This war is just getting started. Your goddess can t help you here. You re far from your holy city, Azadi. Another cold and rainy day in Newport...and to make things worse, my arthritis is acting up. I can t afford any procedures. I can t even afford medicine. Not so long ago, these useless hands taught holo-sculpting at VAVA. Did you know that Emma de Vrijer was once a student of mine? She s a really famous sculptress now. They moved VAVA out of Venice, which is ironic. And they downsized every department. Kicked me out with a day s notice. Bastards. It sounds like the worst cliché, but things really were better in the old days. At least for me. The gangs have taken over the entire neighbourhood. And it won t stop here. Soon, it s gonna spread to the rest of the city. Those kids, they usually leave me be. They know that ain t got nothing worth stealing. But once in a while, they beat me up, just to prove that they can. I hope Jama wasn t too hard on you for being late. Again. Hey, you made it! Good for you. Jama s not in the best mood today. If not late Jama can be so strict sometimes. Are you taking part in the tournament today? I d love a chance to go up against you. You re here, like, every day, aren t you? You re taking this too seriously. I m just trying to keep toned, not learn how to, you know, kill people. Jama s pretty cool. I mean, she can be bitchy, and she never, like, gives me a compliment. But... Wait, she s not cool at all. I saw you sparring with Jama. That was pretty cool. You rock. I saw you sparring with Jama just now. You kinda sucked, didn t you? There s no way I m gonna be able to beat you in the tournament. I ll have to settle for second. Or, you know, third or fourth. I m definitely gonna kick your ass in the tournament. I need to work on my kicks. You performed badly today. Jama must be very disappointed. You did well today. Jama must be pleased. I plan on winning this tournament. If tournament Practice and sparring is fine, but real competition separates the winners from the losers. I used to have no trouble getting a date. Nowadays, if you don t wear a uniform, the ladies ignore you. I m thinking about moving back to the Southlands. For one, it s a lot warmer. I hear that Corescent is negotiating with the Azadi for a treaty. If that happens, there might finally be peace in the Northlands. Still no spices, I m afraid. I ran out of money to pay my supplier...but tomorrow s another day! I hope! To Zoë negative The new administration has introduced so many taxes and fees, it s hard to make ends meet down here. Rebel activity in the north has delayed deliveries, so I don t have much left to sell, I m afraid. Say what you will about them, but the Azadi have genuine respect for women. That s a nice change. I can tell that you ve been raised to respect women. You re all such perfect gentlemen. This market used to be a damn sight better before they closed the gate and the harbour, and moved most of the business west of Cold Stone. I was quite the looker in my younger days, and I m sure I would ve turned your head around. It s not that I have a problem with the Azadi...but do they have to take all the women? Maybe I should join the army. I m not getting a date wearing these clothes, that s for sure. Please keep those pesky magicals in the ghetto. Life has become so much more predictable without all this magic stuff going on everywhere. We don t need magic. We got technology now. Magic is chaos, technology is predictable. You look like you get a lot of attention from women. Tell me, is it the clothes, the hair, or just the fact that you re incredibly good looking? Hey there. Can I help you with anything? Anything at all? You re a handsome one. Would you like to visit me at the tavern tonight? I work as a serving girl, and I wear a really low dress... You look like a real man. There are too many farmers around here. They smell bad. I don t know how Irhad feels about the Azadi, but I m sure they could work something out. We don t need another war. Now that the Tyren are gone, there s finally hope of lasting peace in the Northlands. I hope you understand that we re not a violent people. We only want peace and prosperity for all nations and peoples. As long as you protect us, I don t care about your motives. Are you going north to fight the rebels? Please remember that they only want the best for their people. I m sure you can solve your differences peacefully. There are soldiers everywhere. I don t honestly care about politics, but I d like to be somewhere a little more...laid back. I ve lived in Marcuria for too long. I want to go back south, across the ocean. I m tired of all the noise and the bad weather. I don t quite see how I ll make ends meet, but I m sure something will...pop up. I told my poor, old mother I d be bringing her some firewood and stew tonight, but it looks like she ll have to burn some more furniture and eat the cat. Business is just fantastic! Ever since you helped me out, I ve been blessed with happy customers and a steady supply! You ve brought me good luck and fortune! To Zoë positive Yesterday, I bought my mother a new stove, a fine walking stick, and a glazed gipa. You should have seen the look in her eyes! If I didn t know better, I d say you were a faerie queen, young lady! Why hello there, ma am! What an absolutely wonderful day to be exploring the city! Now, you look like you need to spice up your life. Eh? Get it? Eh? Spice? Life? Wonderful! I don t care whether my customers are Azadi, Dolmari, Northlanders, Southlanders, or anything in between! They re all welcome! Fantastic! That s a terrific coat you have there, sir! Must keep you nice and warm, even in this weather! A lovely day to you, sir. A lovely, lovely, lovely day! I ve tasted some of those spices you Azadi have brought with you from Sadir. Wonderful, exotic stuff! Isn t life grand? South Gate Market is definitely not what it used to be. I m lucky if I see a dozen customers before noon. The added expenses and lack of customers is ruining me. Soon, I ll have to find another way to make money. I ve already paid the vendor license, the stall rental, and the administrative fees, sir. My papers are in perfect order. Please, sir, sales have been bad lately, and I need money for food and rent. I ve already paid my bills. Just ask the market master. There s not much left of today s catch, sir, but I ve managed to put a few oysters aside. They re yours if you want them, sir. We got torsk! We got one torsk left! We re almost out of torsk! Call out Crabs, I ve got two crabs left! Fresh and tasty! Crabs for dinner! Come get em! Last call for fresh fish today, last call! I don t care what people say, as long as the Azadi encourage fair trade, I m happy. There was trouble in the ghetto again this morning. It s really affecting my business, because deliveries can t get through. Anything you can do to stop those rebels would be much appreciated. The rebels are hurting my business with their attacks on convoys. Deliveries are slow, and the quality of the merchandise is lower. Good luck tracking down the rebels, sir. They really are making life miserable for everyone. Oldtown s the best place to buy rare and interesting books. You just need to know where to look. I don t go anywhere without a good book, and I have thousands at home. My wife, she moved out. I think she realised I loved my books more than I loved her. I don t like coming here anymore. Not because of the magicals, but because everyone s so afraid about what s going to happen. I don t live here. I m just visiting. I m just looking for books. I don t usually mingle with magicals. Good day to you. I ll be on my way now. Oldtown s not a bad place to be. If only the Azadi would leave us be, like they promised they would. My friends have all left the city, but I m staying. I m not going back into the caves. I enjoy life in the big city too much to give that up. Personally, I ve always been discriminated against. Actually, this is better, because now the other magicals see me as one of them. I thought you people never ventured in here alone. You don t look like the others. There s something different about you... If you would just try to see things from our perpective, I m sure we could all live together in harmony. What do the Azadi want from us? Why have they stuck us in here? We haven t done anything to them, and we can t help who we are. People here in Marcuria used to respect us Dolmari. The times have certainly changed. We live in constant fear. Sooner or later, I m sure they ll arrest the lot of us, and send us off to... I don t know. Just leave us be. We haven t done you or your people any harm. Why are you harrassing us? We can t help being who we are, any more than you can help being human. I don t understand why you don t like us. Is it the colour of my skin? I ve never used magic to hurt anyone, and I never intend to. My mother is ill. This is the only place where they have the right medicine. Most of the old medicines have been banned from the markets. Oldtown s the only place where I can still find them. The Azadi are banning everything they don t understand. What s that all about? I have a right to be here. The ghetto is open now. I m not up to anything illegal, I assure you. I m just out for a walk. There s no curfew in effect now, is there? If there is, I will leave immediately. Oldtown s getting too crowded. It just wasn t built to house so many people. People here are still trying to live their lives the way they used to, but it s getting more and more difficult by the day. I know that some of my kind have disguised themselves in order to conduct business out in the city. I admire their courage. You d all rather wish we d just disappear, wouldn t you? I can t change who I am. How would you like it if I tried to change you? You can force me to comply, but you can never, ever force me to agree with you. The Azadi can do whatever they wish with me, I will never bow to their goddess. I am only in town for a short visit. I will not stay long. I am better off back home. The Dark People are amazing. They re collectors, and they have a great library containing every book ever written. I ve never minded the magicals. I actually enjoy their company. They re more interesting than humans. As long as I can stand up, I ll keep fighting these invaders. To April/Zoë The Azadi won t be satisfied until all of Arcadia belongs to their empire. I will never surrender. I d rather die than submit to the Azadi. People only agree with you out of fear or ignorance. You have but one argument to support your cause...and it hangs from your belt, Azadi. You can kill my kin, but you can never kill our beliefs. Too many believe that if we only give the Azadi time, they will leave us be. I do not. The Azadi will never leave us be. Our culture is dying in Marcuria. How can anyone stand living here? Your victory will be your downfall, Azadi. You will gain nothing from eliminating us but a world bereft of choice and diversity. The only way to evolve is to keep an open mind. Try keeping an open mind. You will see that we are not so different, you and I. If you do not accept others, you can never truly accept yourself. I d give my right arm - and my left! - to see the fabled library of the Dark People. But they won t let me go with them to their city... Show me a man who reads, and I ll show you a man of reason. Deprive man of literature, and you deprive him of life. I can show you my book if you like, sir. It s not been banned. I m just passing through, sir. Just passing through. I ve yet to read many Azadi books. Could you recommend some for me? My first boyfriend was Zhid. Diversity never hurt anyone. Too bad the Azadi can t see that. The Azadi tell us not to fraternise with non-humans, but I don t care. What are they gonna do? Arrest me? I d tell you what I think of you if I wasn t so afraid of the repercussions. Have you ever had a real discussion with anyone, or do people just tell you what you want to hear all the time? Leave me alone, Azadi. There are plenty of other women in the city who would be happy to serve you. Don t tell me to submit to the Azadi. I won t. Ever. I ll keep fighting the Azadi until the day I die. Should they flee back to their continent, we ll take the war to them, mark my word. Keep your distance, Azadi. I might say something I ll regret. The Static s getting worse and worse. I can t even go to work anymore. Our consoles won t connect to the Wire. I don t know what to do. The office s been closed down because of problems with the Wire, and I m not making any money. Lots of people are afraid. If the Syndicate can t stop the Static, what s going to happen? Why are you approaching me? I m not a trueborn , am I? I thought your kind didn t fraternise with my kind. Have you gone slumming, Azadi? Everyone s talking about the Static these days. I have to admit that I m quite fed up with it already. You know what pisses me off about the Static? Everyone always wants to talk about it, so I have to keep myself updated and watch the news. I hate that. I just hope this Static thing won t interfere with WATIcorp s plans. That new product is supposed to come out this spring, I think. Some people are saying that the Static is going to lead to another Collapse, but I don t think the Syndicate would allow that to happen. I m not afraid of another Collapse. We ll be safe here in Casablanca. We have everything we need. I try not to watch the news. It s always Static this and catastrophe that . Whatever happened to staying positive? Yesterday, I was having my hair re-aligned and we lost Wire contact right in the middle of the procedure. I only got it fixed this morning. How s it look? Show me a man who doesn t care about his hair, and I ll show you a damn fool. I can t get milk anywhere anymore. Apparently, because of the Static, deliveries are slow or non-existent all over the city. Chapter 12 It s not that martial arts needs to be such an important part of your life. But passion is always important. I m sorry, Jama. It just doesn t seem matter as much to me as it used to. I m sorry, Jama. It just doesn t seem to matter as much to me as it used to. But let s leave it at that for now, and get started on today s lesson. I guess I just don t care as much about martial arts as I used to. It doesn t seem as important to me anymore. Then maybe you should consider doing something else with your time. But let s leave it at that for now, and get started on today s lesson. I can t help it. I ve just...lost interest. And not just in martial arts, but in everything. Nothing you do, if done with passion, is pointless. But let s leave it at that, and get started on today s lesson. Every day s exactly the same, and I m not doing anything to change that. There s no school to go to, no job, and I barely spend time with my friends. What s left of them. You re right. I mean, he s my friend, too, and I want to help him. I just don t know if going to Newport is the way to do that. Oh, they re here. The biggest one, they are the Shakespeareans. Stupid names, stupid clothes...very, very big guns. Not so fast. I like you. You got spirit. I want to help. Maybe we can make trade? I don t have anything to trade. All I have is my mobile. No mobile. I got too many already. Cheap. Made in China. Top quality. So what do you want to trade? Please, help me out here.